21 – Morgantown, WV – Metropolitan Brown Auditoriumįeb. 16 – Shelby, NC – Malcolm Brown Auditoriumįeb. 28 – Key West, FL – Country Music Cruise 2019įeb. 27 – Fort Lauderdale, FL – Country Music Cruise 2019 19 – Bossier City, LA – Horseshoe Bossier City – The Riverdome 18 – Stafford, TX – The Redneck Country Club 17 – Mayetta, KS – Prairie Band Casino & Resort – Great Lakes Ballroom I wouldn’t deny that,” Milsap said with a laugh. said that’s why it sold so well and became a gold record, because of him. You get in there with your band, and rehearse three or four, five, six, seven, eight, however many days it takes to put this show together, the way you want it.’” We put that thing together and asked Ralph Emery to emcee the show. “Jerry Bradley, who ran RCA, told Tom Collins and me, ‘I notice Ronnie’s got some shows out there at the Opry House in August, and we want to bring our 24-track out there and record both of them, because I want to put out a live album. His prowess as live performer has been documented in several live albums and DVDs over the years, but, 1977’s Ronnie Milsap Live – recorded at the Grand Ole Opry House – remains a special memory. Milsap began a tour behind the music from Duets Wednesday (Jan. We grew up about a stone’s throw from each other.” The Dennis Morgan /Kye Fleming composition became one of Tennessee’s official state songs in 2010. So she changed the lyrics to make that happen. “Dolly came in and recorded it, but she became the girl that I’m looking for in the song. Duets, Ronnie’s twenty-eighth major label album produced by Ronnie and Rob Galbraith, was released on the eve of Ronnie’s 76th birthday by Riser House Records. But where most late-night country albums are built for solitary listening, this is a romantic record, where even songs about separation and being no good at goodbyes are better. Parton, one of his former fellow RCA label mates during his 20-year tenure at the imprint, joins him on “Smoky Mountain Rain” – albeit with a little bit of a twist. Night Things is an appropriate title for Ronnie Milsaps fourth LP for RCA, since this ten-track collection from 1975 carries the distinct mood of a late-night album. They had that tour really set up right – and they treated us well, which is always a big plus.” Doing a tour with George Strait, you get to really play for a big audience. I got to do a tour with him a few years back.
He asked if the next time George comes to Nashville, would he record ‘Houston Solution’ with me,” Milsap says. “A good friend of mine down in Houston knew George Strait’s road manager. The pairing with Strait was also special.
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